You basically lay down meshes to build your map - you can copy and paste mesh groups to quickly piece something together too while freely adjusting scale and position. This approach is well suited to creating the massive maps featured in Turok. These modelled objects are used construct the maps like Lego pieces, but this also means you cannot define shapes in real-time using the editor as with Quake - if you want a large wall, you'll build it by repeating a wall mesh or combining several different types of walls. This means that floors, walls, the ceiling and other objects are all pre-defined polygonal meshes designed in another program, such as 3D Studio Max. With Turok, however, the levels are built entirely from static meshes. So what's the difference? With Quake, BSP brushes become the basis of your level - you define shapes and structures via an editor to create your map.
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In a way, this feels almost forward looking! DF Retro's full analysis of Turok: Dinosaur Hunter, why it's an important release and how every version available compares, from the N64 original to the console ports of the excellent 2015 remaster. Shooters like Quake relied on binary space partitioning or BSP, while Turok took a completely different approach, relying entirely on static meshes. The key objective was to deliver a shooter that runs at a reasonably stable frame-rate while offering massive maps to explore in a non-linear fashion. This is a wholly original project with its own approach to visual design. Turok was developed from the ground-up by Iguana. Just one example is the world-building: Turok has a persistent world that allows you to double back and visit older areas, and even the very first level offers multiple routes through - a radical departure from the set individual level design of Quake, and this is where our first point on technology comes into play. And then there's the technology: Turok was a genuine showpiece with a focus on pyrotechnics and fluid animation quite unlike anything else on the market - even on PC. The large selection of weapons and flying blood particles certainly helped elevate the game's profile. Then there's the violence - Turok delivers a level of carnage and violence at odds with the family-friendly reputation Nintendo had accrued over the years.
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First-person shooters were exploding in popularity on the PC but remained relatively scarce on console platforms.
Turok was far from mediocre though and the hype bordered on the insane, and it's easy to see why. The problem was, very few titles lanched on the system in its first year, resulting in a recurring hype cycle even around the most mediocre of releases. This success was due in no small part to the unrivaled quality of Super Mario 64 which - a release which redefined expectations for what a video game could be. Boasting 64-bit power and hardware capabilities unlike anything else on the market, it was an instant success. It's difficult to overstate the hype surrounding Nintendo 64 when it launched in 1996. It's a release that was well received at the time but as the years have slipped by, its reputation has slowly lost its lustre, with many suggesting that perhaps Turok was never that impressive or important in the first place. Not that it really matters in the context of how crazy the entire story is.Bungie's Halo or Rare's GoldenEye are often thought of as the first games that truly delivered a technologically advanced, first-class FPS shooter to console platforms - but from my perspective, Iguana Entertainment's Turok: Dinosaur Hunter for N64 may well have got there first. Just as a side note: I don’t think those dinosaurs are actually ‘holding’ those guns, I think they have been bio-engineered to have those guns as attachments on their limbs. I can’t stand remasters that try to change too much, or even worse, those remakes like Goldeneye 007 (by EA) where it captured absolutely none of the magic from the original.
I’m looking forward to Seeds of Evil even more, though (despite the fact that some of those maps were like a labyrinth)īut this is exactly how remasters should be done, just like Perfect Dark on the Xbox 360 where everything looks identical to the original release, just that it has a higher resolution and frame rate (and that the controls get completely reworked so that they fit in well with the platform update). Loved this game on the N64, but I was too young and impatient at the time to really appreciate and finish it in its entirety.
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